Offered by Tobogan Antiques
Elegant Louis XV–inspired vitrine with a curved and sinuous form, in kingwood veneer and mounted with gilt bronze. Glazed on all sides and fitted with a mirrored back, it opens with a door framed by molded gilt-bronze mounts and reveals three glass shelves, emphasizing its purpose as a presentation cabinet for works of art.
It is surmounted by an openwork pediment composed of scrolls, small flowers, and asymmetrical foliage, decorative vocabulary echoed in the cartouche on the lower section. The vitrine stands on four cabriole legs ending in gilt-bronze sabots with acanthus leaves.
This vitrine is a fine example of the perfect integration of bronze mounts into the structure of the piece. The mounts are not merely decorative additions: they follow the lines of the furniture, reinforce points of visual tension, and highlight the transitions between the different parts of the cabinet.
Although it shows similarities to the work of François Linke (1855–1946) or Joseph-Emmanuel Zwiener (1849–1925), the crowning section with its highly developed openwork decoration and the slender corner mounts are more reminiscent of the work of Frédéric Schmit (1830–1880).
Biography :
Born in Luxembourg, Frédéric Schmit was a cabinetmaker specializing in mahogany and rosewood furniture, and meubles de fantaisie. He practiced at 9 rue de Charonne from 1856, then in 1870, the firm temporarily became SCHMIT, ALAVOINE ET PIOLLET at 9 and 24 rue de Charonne. In 1874, it became SCHMIT ET PIOLLET at 20 rue de Charonne, then moved to 22 from 1876, then became SCHMIT SUCCESSOR around 1888. He won a gold medal at the Universal Exhibitions of 1878 and 1889. Around 1878, the firm began manufacturing art furniture.
