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Jupiter And Juno, Italian school of the 17th century
Jupiter And Juno, Italian school of the 17th century - Paintings & Drawings Style Louis XIII Jupiter And Juno, Italian school of the 17th century - Jupiter And Juno, Italian school of the 17th century - Louis XIII Antiquités - Jupiter And Juno, Italian school of the 17th century
Ref : 125605
13 800 €
Period :
17th century
Provenance :
Italy
Medium :
Oil on canvas
Dimensions :
l. 44.09 inch X H. 55.91 inch
Paintings & Drawings  - Jupiter And Juno, Italian school of the 17th century 17th century - Jupiter And Juno, Italian school of the 17th century Louis XIII - Jupiter And Juno, Italian school of the 17th century Antiquités - Jupiter And Juno, Italian school of the 17th century
Antichità Castelbarco

Old master paintings


+39 333 2679466
Jupiter And Juno, Italian school of the 17th century

Annibale Carracci (Bologna, 1560 - Rome, 1609) Circle of

Jupiter and Juno

Oil on canvas (126 x 95 cm. - In frame 142 x 112 cm.)

The work depicts Jupiter and Juno, king and queen of the gods, the supreme couple of Roman mythology (Zeus and Hera in Greek mythology), who embody divine power and the complex dynamics of marriage, consisting of loyalty, extreme jealousy, and infidelity.

The scene is inspired by Book XIV of the Iliad, when the Queen of Olympus, siding with the Greeks, seduces Jupiter on Mount Ida to distract him from the fate of the Trojan War, as she wanted the Trojans to win in order to avenge her son Achilles. Jupiter, seduced by his wife's bewitching appearance, is depicted welcoming Juno into the bridal chamber: she wears Venus's magic belt to appear irresistible.

The scene loses its classical mythological solemnity and takes on a more intimate, almost mischievous tone, emphasizing the humanity of the gods.

The work is a splendid version taken from one of the panels of the series of frescoes decorating the vault of Palazzo Farnese, executed by Annibale Carracci between 1597 and 1600, commissioned by Cardinal Odoardo Farnese to celebrate the marriage between Ranuccio Farnese and Margherita Aldobrandini, where the central theme is ‘The Loves of the Gods’ (fig. 1).

The freedom and sensuality of this image marks the transition from the rigor of the Counter-Reformation to a new sensual and classical freedom of expression: Jupiter and Juno, husband and wife, approach each other in an intensely erotic attitude, with a clear return to the vibrant culture of the Renaissance, with strong references to Michelangelo (for the plasticity of the figures) and Raphael.

Of all Carracci's frescoes, this one in particular became one of the most famous and admired panels in the Farnese Gallery, with its sense of emotional intensity and sensuality.

The success of this subject therefore led to its widespread diffusion in ‘chamber’ format, so much so that today we know of numerous paintings made by artists from the painter's circle/workshop or active in the period immediately following the creation of the fresco, to satisfy Roman art collectors who wanted to own their own version.

Among the numerous later copies, we can mention the painting on canvas attributed to Antonio Carracci, now housed in the Borghese Gallery in Rome

Delevery information :

We take care of and organise the transport of the purchased works, both for Italy and abroad, through professional and insured carriers.

We take great care We personally take care of the packaging, to which we devote a great deal of care: each work is carefully packed, first with arti- cle material, then with a custom-made wooden box.

Should you have the desire to see this or other works in person, we would be happy to welcome you to our gallery in Riva del Garda, Viale Giuseppe Canella 18, we are always open by appointment only.

Antichità Castelbarco

CATALOGUE

17th Century Oil Painting Louis XIII