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Jules AVIAT (1844-1931) "Portrait of a curious young woman"
Jules AVIAT (1844-1931) "Portrait of a curious young woman" - Paintings & Drawings Style
Ref : 107459
6 800 €
Period :
20th century
Artist :
Provenance :
Medium :
Oil on canvas
Dimensions :
l. 15.35 inch X H. 18.11 inch
Galerie Delvaille

French furniture of the 18th century & French figurative paintings

+33 (0)1 42 61 23 88
+33 (0)6 77 73 17 29
Jules AVIAT (1844-1931) "Portrait of a curious young woman"

Oil on canvas signed upper right
Dimensions : 46 x 39cm
With frame 61 x 54 cm

Jules Aviat, whose real name was Jules-Charles Mauperrin, was one of the finest french portrait painters of the late 19th and early 20th centuries. In Rome, he received academic training from 1867 to 1870, with Ernest Hébert, director of the French Academy in Rome, as his teacher. Back in France, Jules Aviat worked with some of the leading figures of the day, including Carolus-Duran and Léon Bonnat. Along with his friends Hébert, Puvis de Chavannes and Bonnat, Aviat helped decorate the Pantheon in Paris.

In May 1905, Samuel Thruston Ballard and his wife, originally from Louisville, visited the Salon des artistes français. They're looking for a painter who can paint portraits of their family. They felt that the most talented painter, apart from John Singer Sargent, was Jules Aviat, and asked him to come to Louisville. Jules Aviat accepted and boarded the SS La Bretagne at Le Havre on December 9, 1905. He painted portraits of the Thruston Ballard couple and several others, including Miss Mary Ballard's sister, Rogers Clark Ballard Thruston and his son. He also painted portraits of Mrs. Herman D. Newcomb, Maryon E. Taylor, Theodore Harris and Zudie Harris. Aviat left Louisville in April 1906 and toured several U.S. cities, including New York in 1907.

Works by Aviat are rare on the market today. This fine portrait reflects Jules Aviat's incredible talent for capturing instant, subtle expression. The oblique gaze and the slight shift of the head place this portrait far from the conventional depictions of the period. The young girl is inquisitive and intelligent; with her neck stretched out, she observes out of the corner of her eye a scene that the artist has chosen to leave to the viewer's imagination. The painting is on its original canvas, in perfect condition. It is set in a handsome antique Regency-style frame of patinated wood and stucco.

Galerie Delvaille


20th Century Oil Painting