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Head of the Emperor Titus, Italy 16th Century
Head of the Emperor Titus, Italy 16th Century - Sculpture Style Head of the Emperor Titus, Italy 16th Century - Head of the Emperor Titus, Italy 16th Century -
Ref : 119500
28 000 €
Period :
<= 16th century
Provenance :
Italy
Medium :
Marble
Dimensions :
l. 7.48 inch X H. 11.22 inch X P. 9.45 inch
Sculpture  - Head of the Emperor Titus, Italy 16th Century <= 16th century - Head of the Emperor Titus, Italy 16th Century  - Head of the Emperor Titus, Italy 16th Century
Desmet Galerie

Classical Sculpture


+32 (0)486 02 16 09
Head of the Emperor Titus, Italy 16th Century

Marble
Italian, 16th Century

H 28,5 x W 19 x D 24 cm
H 11 1/4 x W 7 1/2 x D 9 1/2 inch



This marble head represents Emperor Titus (r. 79–81 CE), a figure renowned for his military achievements and benevolent rule. The sculpture exhibits characteristics typical of Renaissance interpretations of Roman portraiture, reflecting the era's fascination with classical antiquity.

The visage is marked by a broad forehead, deep-set eyes, a prominent nose, and full lips, conveying a sense of gravitas and authority. The hair is rendered in tight curls, a stylistic choice consistent with known depictions of Titus, such as the bust housed in the Galleria Borghese . The treatment of the hair and facial features suggests an adherence to classical models, while also incorporating the Renaissance's emphasis on naturalism and individual character.

During the 16th century, the Italian Renaissance saw a revival of interest in classical antiquity, with artists and patrons seeking to emulate and surpass the achievements of ancient Rome and Greece. Sculptures of Roman emperors were particularly esteemed, serving both as decorative objects and as embodiments of virtues such as leadership and wisdom.

Emperor Titus was celebrated for completing the Colosseum and for his compassionate response to disasters like the eruption of Mount Vesuvius in 79 CE . His short but impactful reign made him an ideal subject for Renaissance artists aiming to capture the nobility and dignity associated with classical rulers.

This sculpture bears resemblance to other known representations of Titus, which features similar facial proportions and hair treatment . Such comparisons underscore the Renaissance artists' reliance on ancient prototypes, while also highlighting their contributions to the evolving canon of portraiture.

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CATALOGUE

Marble Sculpture