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View Of Classical Architectural Ruins - Italian school of the 17th century
View Of Classical Architectural Ruins - Italian school of the 17th century - Paintings & Drawings Style Louis XIV View Of Classical Architectural Ruins - Italian school of the 17th century - View Of Classical Architectural Ruins - Italian school of the 17th century - Louis XIV Antiquités - View Of Classical Architectural Ruins - Italian school of the 17th century
Ref : 107784
6 500 €
Period :
17th century
Provenance :
Italy
Medium :
Oil on canvas
Dimensions :
l. 33.86 inch X H. 39.37 inch
Paintings & Drawings  - View Of Classical Architectural Ruins - Italian school of the 17th century 17th century - View Of Classical Architectural Ruins - Italian school of the 17th century Louis XIV - View Of Classical Architectural Ruins - Italian school of the 17th century Antiquités - View Of Classical Architectural Ruins - Italian school of the 17th century
Antichità Castelbarco

Old master paintings


+393332679466
View Of Classical Architectural Ruins - Italian school of the 17th century

Giovani Ghisolfi (Milan 1623-1683), attributed / workshop
View of classical architectural ruins with Pythagoras pretending to return from Hades

Oil on canvas, cm. 70 x 84
In frame cm. 86 x 100

The painting in question, depicting an architectural glimpse with classical ruins, is attributable to the work of the Milanese painter Giovanni Ghisolfi and takes up the work that the painter created for the renowned collection of Cardinal Pietro Ottoboni, great-grandson of Pope Alexander VIII, who later passed to Roman collection Almagià (http: //catalogo.fondazionezeri.unibo.it/scheda/opera/54064/Ghisolfi%20Giovanni%2C%20Pitagora%20rieme ...)

In the left area you can see the ruins of an ancient temple, which evoke that of Saturn in the Roman Forum, while the animated scene in the foreground is a fascinating representation of the Greek philosopher Pythagoras as he comes out of the cave he built himself, where he decided to retire to meditate and study philosophy, then telling his followers who were awaiting his return that he had reached Hades and was therefore resurrected.

The scenery is flooded with a gloomy light to evoke the late evening, where the rays that stand out on the pillars and boulders have an evocative, metaphysical effect, and with the clouds on the horizon that give brighter colors.

The painting is a good testimony of Ghisolfi's classicist 'ruinism', and in particular of his mature phase, characterized by constructions orchestrated with measured and skilful balance. This is the softer and freer pictorial style of the Lombard-born painter, who owes much to the influence of Salvator Rosa, with whom he was a close friend during his stay in Rome in the 1950s.

Ghisolfi was a forerunner compared to many artists of the following century who drew fruitful ideas from this last phase of the Milanese master by birth but Roman by adoption. Precisely in the papal city he matured his training in these particular iconographies, centered on the ancient Roman remains, and thanks to which he became the most successful specialist in this vein.

Upon examination of the Wood lamp, minor restoration interventions are highlighted, but overall the state of conservation is excellent.

Delevery information :

We take care of and organise the transport of the purchased works, both for Italy and abroad, through professional and insured carriers.

We take great care We personally take care of the packaging, to which we devote a great deal of care: each work is carefully packed, first with arti- cle material, then with a custom-made wooden box.

Should you have the desire to see this or other works in person, we would be happy to welcome you to our gallery in Riva del Garda, Viale Giuseppe Canella 18, we are always open by appointment only.

Antichità Castelbarco

CATALOGUE

17th Century Oil Painting Louis XIV