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Pierrot / Mime Deburau André César Vermaere (1869-1949)
Pierrot / Mime Deburau André César Vermaere (1869-1949) - Sculpture Style Art Déco Pierrot / Mime Deburau André César Vermaere (1869-1949) - Pierrot / Mime Deburau André César Vermaere (1869-1949) - Art Déco Antiquités - Pierrot / Mime Deburau André César Vermaere (1869-1949)
Ref : 90400
4 800 €
Period :
20th century
Artist :
André César Vermaere (1869-1949)
Dimensions :
H. 16.14 inch
Sculpture  - Pierrot / Mime Deburau André César Vermaere (1869-1949) 20th century - Pierrot / Mime Deburau André César Vermaere (1869-1949) Art Déco - Pierrot / Mime Deburau André César Vermaere (1869-1949) Antiquités - Pierrot / Mime Deburau André César Vermaere (1869-1949)
Chastelain & Butes

19th and early 20th-century paining and sculpture


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Pierrot / Mime Deburau André César Vermaere (1869-1949)

Charles Deburau (February 15, 1829 – December 19, 1873) was an important French mime, the son and successor of the legendary Jean-Gaspard Deburau, who was immortalized as Baptiste the Pierrot in Marcel Carné's film Children of Paradise (1945). After his father's death in 1846, Charles kept alive his pantomimic legacy, first in Paris, at the Théâtre des Funambules, and then, beginning in the late 1850s, at theaters in Bordeaux and Marseille.

A (larger) marble version of this statue is part of the collection of the National Museum of the arts of Quebec

Pierrot or mime Deburau
Material: Silver plated bronze
Dimensions: H. 41 cm
Signature on the base Vermare
Foundry: Siot

André Vermare was the son of Pierre Vermare, who ran a business in religious objects and sculptures, and Anna Pétreling. Thanks to this artistic background, he developed an early interest in art and inherited a certain talent for religious and classical representations.

Aspiring to become a sculptor at the National School of Fine Arts in Lyon in 1885, he was admitted the following year and became a student of Charles Dufraine. He received his first award there in 1889, a gold medal.

In Paris, in 1891, he was admitted to the École des Beaux Arts and became a student of Alexandre Falguière, Laurent Marqueste and Alfred-Désiré Lanson. He exhibited at the Salon de la Société des artistes français in 1892 and received an honourable mention. After winning a second Grand Prix de Rome in 1897 for Orpheus and Eurydice, he was awarded the First Prix de Rome in 1899 for Adam and Eve finding the body of Abel.

Following his first prize, he stayed in Rome at the Villa Medici between 1900 and 1903. All his works were purchased by the State. One of his most masterful works was Le Rhône et la Saône, which was placed at the entrance to the Palais de la Bourse in Lyon. This sculpture earned Vermare the second medal of the 1905 Salon.

In 1906, he finally won the first medal of the Salon with his group Les Vendanges. That same year, he was awarded a prize, out of competition, by the Académie des Beaux Arts, and he became a member of the jury of the Salon and of the École des Beaux Arts.

In the 1900s, Vermare took a Polish butcher's daughter who had settled in Paris as a model for his statue of Joan of Arc. They eventually got married before meeting Pope Pius X to present him with the statue of the French saint.

André Vermare collaborated with his father and brother, Frédéric, in the family business, Maison Vermare - Statuary, goldsmiths, ornaments, bronzes and produced several religious statues. He accepts many other commissions and has a national career while producing a lot in Lyon. The Manufacture de Sèvres created several ceramics based on his work.

Between 1906 and 1910, he bought a farm and land on the Ile-de-Bréhat at a place called Pen-ar-Bout where he built a summer residence. In the 1930s, he sold his house in Auteuil, the Villa Montmorency, and retired permanently to Bréhat, where he died on 7 August 1949.

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Chastelain & Butes

CATALOGUE

Bronze Sculpture Art Déco