Christ in the Garden of Olives, Flanders, circa 1650

Christ in the Garden of Olives, oil on copper, dimensions 30 cm × 23 cm; with its frame, 39 cm × 32 cm, Flanders, circa 1650.

This work depicts the biblical episode of Christ’s Agony in the Garden of Olives, as recounted in the Gospels. In the foreground, Jesus is shown kneeling in prayer, wearing a red cloak symbolizing sacrifice over a more sober brown tunic. His face turned toward the heavens expresses profound sorrow mingled with submission. A luminous halo surrounds his head, signifying his divinity.

In the upper part of the composition, an angel with outstretched wings descends from the sky to present him with a golden chalice, an allegory of the sacrifice to come. In the background, the three disciples—Peter, James, and John—are asleep, while a group of soldiers approaches stealthily, heralding the imminent arrest.

Painted on copper, this work demonstrates great finesse of execution. The metallic support allows for increased precision in the rendering of details, particularly in the drapery, faces, and light effects. The palette is dominated by warm, contrasting tones, characteristic of 17th-century Flemish painting.

Dated around 1650, this painting belongs to the Flemish Baroque tradition, influenced by masters such as Rubens and Van Dyck. The dramatic treatment of the scene, the emotional intensity, and the marked chiaroscuro reflect a desire to inspire the viewer’s devotion.

The painting is presented in a black and red molded frame, which enhances the solemnity of the scene while highlighting the tonal qualities of the copper.

This type of devotional painting, often of small format, was intended for private use. The choice of copper as a support, more costly than wood or canvas, suggests a carefully commissioned work, likely for a collector or a member of the clergy.