Jean-François Deniere (1774–1866) Pair of Louis XV Style Ormolu Wall Sconce

After Jacques Caffieri

This superb pair of two-arm wall sconces, with their fluid and asymmetrical lines, showcases finely chased and original ormolu, enriched by a lavish decor of foliage and floral motifs. Created circa 1850 by the Deniere workshop, these appliqués are inspired by an iconic model by Jacques Caffieri (1678–1755), reflecting the technical excellence and artistic sophistication of the Deniere dynasty. Signed on the side, these pieces are intended for discerning collectors of fine and historic decorative arts.

Dimensions :
Height: 18 7/8 inches (48 cm)
Width: 11 13/16 inches (30 cm)
Depth: 5 7/8 inches (15 cm)

Condition :
In excellent original condition, these appliqués have never been modified for electrification and retain their original gilding, a testament to their authenticity and outstanding craftsmanship.
These sconces can be professionally electrified to meet either European (CE) standards or American (UL) standards upon request, ensuring safe and authentic integration into modern interiors while preserving their original integrity.

Biography :
Jean-François Deniere (1774–1866) and his son Guillaume Deniere (1815–1901) led one of the most prestigious Parisian workshops specializing in bronze and ormolu during the 19th century. Established in 1803 on rue de Turenne and later at 9 rue d’Orléans in the Marais, Jean-François officially partnered with his son in 1844, marking the beginning of a distinguished collaboration between the two generations.

As purveyors to the French court (Louis-Philippe, Napoléon III) and the elite, the Deniere’s employed up to 400 artisans to produce decorative bronzes, mantel clocks, and architectural elements. Their notable commissions—including clocks for the Tuileries Palace (1852), bronzes for the Russian ambassador (1854), and works for the Viceroy of Egypt (1862) and Napoléon III (1867)—highlight their esteemed reputation.

Collaborating with renowned artists such as Albert-Ernest Carrier-Belleuse and Louis-Constant Sévin, the Deniere workshop achieved recognition at the World’s Fairs, particularly the 1867 Paris Exposition. Their production, often stamped "Deniere" or "Deniere Fabt de Bronzes à Paris," is celebrated for its exquisite chasing and rich patination. Guillaume conti