Offered by Jan Muller
JOSEPH VAN BREDAEL
Antwerp 1688 - 1739 Paris
An Animated Landscape with elegant horsemen, horse carriages and peasants on a road near a Mill on a hill’
Oil on copper
We’d like to thank dr. Jan de Maere for his expertise, a certificate is available. (Rambrouch, 25 October, 2025)
Dimensions: 12 x 18 cm, 27 x 31 cm (framed)
THE ARTIST
Jozef van Bredael was a Flemish painter celebrated for his animated landscapes, village scenes, and market compositions, executed in the refined and harmonious tradition of Jan Brueghel the Elder. Born into a distinguished family of painters in Antwerp, he was the grandson of Peeter van Bredael and the nephew of Jan Frans and Jan Peeter van Bredael the Elder. His mother was the daughter of Abraham van Diepenbeeck, a prominent Baroque master, further embedding him in Antwerp’s artistic milieu.
Trained by his father Joris, Jozef began his career producing copies and pastiches of works by Philips Wouwerman and Jan Brueghel the Elder for the Antwerp dealer Jacob de Witte. His technical skill and eye for detail quickly distinguished his work. Around 1725, he moved to France, where he entered the Académie Royale under the patronage of Louis, Duke of Orléans, and became a favored copyist of Claude Lorrain for the collector Jean-François Leriget de la Faye.
Van Bredael’s paintings are prized for their miniaturist precision, refined tonal harmony, and luminous atmosphere. His palette—dominated by gentle blues, greens, and browns—imbues his works with both serenity and depth, while his meticulous arrangement of figures recalls the clarity and intimacy of earlier Flemish masters.
THE ARTWORK
This engaging landscape, “Travellers before a Windmill,” epitomizes Jozef van Bredael’s ability to fuse narrative detail with painterly elegance. In a sweeping rural vista under a soft blue sky, groups of travelers, peasants, and carriages animate the winding path that ascends toward a wooden windmill—an enduring motif in Flemish art.
Van Bredael’s careful modulation of light and measured perspective create a vivid sense of spatial continuity. The scene’s balanced composition—framed by subtle vegetation and enlivened by figures and animals—demonstrates the artist’s mastery in transforming the everyday into an image of timeless harmony.
The painting’s refined brushwork and tonal delicacy reflect van Bredael’s mature style, marked by an intimate scale and a lyrical evocation of the Flemish countryside. Its clarity of form and tranquil rhythm place it among the most elegant examples of the late Brueghelian landscape tradition.
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