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Alceste Campriani (1848 - 1933), The Visit of the elegant Ladies to the parrots
Alceste Campriani (1848 - 1933), The Visit of the elegant Ladies to the parrots - Paintings & Drawings Style Alceste Campriani (1848 - 1933), The Visit of the elegant Ladies to the parrots - Alceste Campriani (1848 - 1933), The Visit of the elegant Ladies to the parrots - Antiquités - Alceste Campriani (1848 - 1933), The Visit of the elegant Ladies to the parrots
Ref : 123344
8 500 €
Period :
19th century
Artist :
Alceste Campriani (1848 - 1933)
Provenance :
Italy
Medium :
Oil on panel
Dimensions :
l. 12.2 inch X H. 9.45 inch
Paintings & Drawings  - Alceste Campriani (1848 - 1933), The Visit of the elegant Ladies to the parrots 19th century - Alceste Campriani (1848 - 1933), The Visit of the elegant Ladies to the parrots  - Alceste Campriani (1848 - 1933), The Visit of the elegant Ladies to the parrots
Segoura Fine Art

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Alceste Campriani (1848 - 1933), The Visit of the elegant Ladies to the parrots

ALCESTE CAMPRIANI
1848 - 1933
The Visit of the elegant Ladies to the parrots
Oil on panel signed lower left
Dimensions : 18 cm x 25 cm / 7.09 inch x 9.84 inch
Dimensions with frame : 24 cm x 31 cm / 9.45 inch x 12.20 inch


Alceste Campriani’s painting depicts a refined and delicate genre scene. In a lush garden bathed in soft light, an elegantly dressed woman—wearing a flower-adorned hat and a dark gown—approaches a row of colorful parrots perched on small hanging stands.

The artist plays with the contrast between the brilliant plumage of the birds—blue, yellow, and red—and the more subdued tones of the female figure. His broad, vibrant brushstrokes reveal Campriani’s mastery of color, influenced by the Macchiaioli technique, which emphasized effects of light and texture.

This composition, both lively and intimate, reflects the 19th-century taste for worldly and exotic scenes, while also showcasing the painter’s keen sense of naturalistic observation.


Alceste Campriani was an Italian painter associated with the Macchiaioli movement, active between the late 19th and early 20th centuries. Trained at the Academy of Fine Arts in Naples from 1862 to 1869, he studied alongside Giuseppe De Nittis, Vincenzo Gemito, and Antonio Mancini. He later joined the Scuola di Resìna, a group close to the Neapolitan branch of the Macchiaioli, which emphasized plein-air painting and the study of immediate light effects.

Through De Nittis, Campriani came into contact with the French art dealer Eugène Goupil, with whom he collaborated from 1870 to 1884. This partnership enabled him to promote his work widely across Europe and America, earning him international recognition.

In 1894, he took part in the Third International Exhibition in Vienna with Scirocco sulla costiera di Amalfi. The following year, the Italian Ministry of Public Instruction purchased the painting for the National Gallery of Modern Art in Rome (today housed in the Camera dei Deputati). Some Italian sources also mention that the work was exhibited at the 1895 Venice Biennale, a sign of its high regard at the time.

From 1891 to 1921, Campriani taught at the Academy of Fine Arts in Lucca, where he became director in 1911. He trained many Tuscan artists and played a key role in the region’s cultural life.

Campriani also created several decorative works for the Caffè Gambrinus in Naples, a landmark of Neapolitan artistic life around 1890. His art, characterized by luminous naturalism and poetic sensitivity, reveals a constant fascination with the landscapes of Campania and refined genre scenes.

Segoura Fine Art

CATALOGUE

19th Century Oil Painting