Offered by ClassicArtworks Stockholm
Old Master Paintings and 19-20th-Century Scandinavian Arts
Louis Sparre (1863-1964)
Karlavagnen (The Big Dipper), 1918
oil on canvas
signed and dated L Sparre 18
Dimensions (unframed): 71 × 43 cm (28 × 17 in)
Dimensions (framed): 86.5 × 59.5 cm (34 × 23 in)
Exhibition History:
Utställning av Louis Sparre, Svensk-Franska Konstgalleriet, Stockholm, 31 Jan – 22 Feb 1920, Catalogue No. 30
Provenance:
Svensk-Franska Konstgalleriet;
Collection of Clas August Lindbeck (1866–1941), Swedish official and poet;
A Swedish private collection.
Essay:
Karlavagnen (The Big Dipper) is a quietly luminous nocturne painted in 1918 by the Swedish-Finnish artistt Louis Sparre. The canvas depicts a tall-masted vessel docked at twilight, its intricate rigging silhouetted with graphic precision against a deep blue night sky. Above the spars and shrouds, the constellation of the Big Dipper emerges clearly, lending both title and celestial orientation to the composition. Sparre's palette is subdued, almost monochromatic, dominated by dark umbers, cool blues, and softened greys. With refined sensitivity, he captures the atmospheric transition from dusk to darkness, invoking stillness and introspection. The ship appears at rest beneath the stars, its presence at once solid and ephemeral, a symbol perhaps of guidance, solitude, and the enduring relationship between man and nature. Long drawn to maritime subjects, Sparre often worked near the Finnish coast and made extended trips to study the structure of boats and the mood of the sea, an influence clearly reflected in this contemplative scene.
The Artist
Count Pehr Louis Sparre af Söfdeborg was born in Sweden in 1863 and emerged as a central figure in the Finnish Golden Age of art. Trained at the Royal Swedish Academy of Fine Arts in Stockholm and later in paris at the Académie Julian, Sparre forged deep friendships with leading Finnish artists, including Akseli Gallen-Kallela, Eero Järnefelt, and Emil Wikström. In 1889, he relocated to Finland and became an active contributor to its burgeoning national art movement. His early work combined Symbolist influences with National Romantic ideals, often focusing on the Finnish landscape and folklore.
Sparre was not only a painter but also a pioneering designer. In 1897, he co-founded the Iris Factory in Porvoo, Finland—a progressive enterprise producing art furniture and ceramics in the Art Nouveau style. There he collaborated with British ceramist Alfred William Finch and his wife Eva Mannerheim, advancing an integrated approach to fine and applied arts. Sparre designed interiors, textiles, furniture, and graphic art, earning distinction as a forerunner of Finnish design. After returning to Sweden in 1908, he resumed painting full time, focusing on portraits and northern landscapes. His career spanned more than six decades, and he remained active as an artist until his death at the age of 101.
Artistic Friendship and Shared Ideals
Sparre’s friendship with Akseli Gallen-Kallela was both personal and formative. The two artists traveled together in Karelia during the 1890s, seeking inspiration in the remote eastern regions of Finland where oral traditions and untouched nature still flourished. This gave rise to Karelianism, a facet of the wider National Romantic movement, dedicated to expressing a uniquely Finnish identity through art. Together they championed the ideals of the Arts and Crafts movement, viewing art and design as inseparable. At the 1900 Paris Exposition, Sparre curated a room in the Finnish Pavilion furnished entirely with Iris Factory works, including furniture designed in collaboration with Gallen-Kallela. This integration of painting, craft, and architecture expressed their shared vision of art as a holistic, national expression.
Exhibition and Provenance
Karlavagnen was exhibited in Stockholm at the Svensk-Franska Konstgalleriet (Swedish-French Art Gallery) during the artist’s solo exhibition Utställning av Louis Sparre from 31 January to 22 February 1920, listed as catalogue number 30. The painting was subsequently acquired by Clas August Lindbeck (1866–1941), a prominent Swedish official and poet.
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