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Portrait Miniature of a North Italian Noblewoman Wearing a Veil c.1580s–90
Portrait Miniature of a North Italian Noblewoman Wearing a Veil c.1580s–90 - Objects of Vertu Style Portrait Miniature of a North Italian Noblewoman Wearing a Veil c.1580s–90 - Portrait Miniature of a North Italian Noblewoman Wearing a Veil c.1580s–90 - Antiquités - Portrait Miniature of a North Italian Noblewoman Wearing a Veil c.1580s–90
Ref : 121925
1 450 €
Period :
<= 16th century
Dimensions :
Ø 3.15 inch
Objects of Vertu  - Portrait Miniature of a North Italian Noblewoman Wearing a Veil c.1580s–90 <= 16th century - Portrait Miniature of a North Italian Noblewoman Wearing a Veil c.1580s–90  - Portrait Miniature of a North Italian Noblewoman Wearing a Veil c.1580s–90 Antiquités - Portrait Miniature of a North Italian Noblewoman Wearing a Veil c.1580s–90
Matthew Holder

European Works of Art & Sculpture


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Portrait Miniature of a North Italian Noblewoman Wearing a Veil c.1580s–90

Portrait Miniature of a North Italian Noblewoman Wearing a Veil

North Italian, probably Venetian, 1580s–1590s

Oil on copper, set in a gilt and black-painted wood round frame

Measurements
• Overall (with frame): 8.5 cm diameter
• Visible miniature: 5.3 cm diameter

This finely painted miniature depicts a noblewoman in three-quarter view, dressed in a dark gown with gold trimming and a prominent standing ruff of white lace. Around her neck are strings of pearls, while further pearls ornament her coiffure. Over the back of her hair she wears a translucent veil, discreetly indicated by the painter, a feature strongly associated with married patrician women and particularly characteristic of Venetian convention.

The combination of a sombre black gown, enriched but not overwhelmed with pearls and gold, reflects the sartorial codes shaped by Venetian sumptuary laws, which emphasised restraint, dignity and controlled splendour. The veil, at once modest and elegant, underscores her status as a married noblewoman and anchors the portrait within the cultural milieu of late sixteenth-century Venice.

Executed in oil on copper, a favoured support in North Italian workshops for its brilliance and permanence, the portrait embodies the refinement of miniature painting at the close of the Renaissance, intended for intimate contemplation or discreet exchange within aristocratic circles.

Delevery information :

Worldwide shipping is included in all prices.

Matthew Holder

CATALOGUE

Miniature Portrait