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John the Baptist preaching to the crowd - David Vinckboons (1576 - 1632)
John the Baptist preaching to the crowd - David Vinckboons (1576 - 1632) - Paintings & Drawings Style John the Baptist preaching to the crowd - David Vinckboons (1576 - 1632) -
Ref : 109622
65 000 €
Period :
17th century
Artist :
David Vinckboons (1576 - 1632)
Provenance :
Flemish school
Medium :
Oil on panel
Dimensions :
l. 22.05 inch X H. 14.57 inch
Paintings & Drawings  - John the Baptist preaching to the crowd - David Vinckboons (1576 - 1632)
Jan Muller

Paintings


+32 (0)4 96 26 33 24
John the Baptist preaching to the crowd - David Vinckboons (1576 - 1632)

Oil on panel

Signed lower right.

In the green embrace of a woodland setting, David Vinckboons masterfully renders a tableau that echoes the visual tradition shaped by his predecessors, notably Pieter Brueghel the Elder. Vinckboons's depiction of "John the Baptist Preaching to the Crowd" seamlessly weaves the influences of Brueghel's monumental composition, breathing new life into the narrative.
At the heart of Vinckboons's canvas, John the Baptist stands as the charismatic orator, his figure an emblem of piety and conviction. The woodland setting, a nod to Brueghel's original invention, surrounds the preacher with a captivating diversity of listeners. Take note of the figures nestled among the trees, creating a harmonious fusion of nature and human congregation.
The group shows a rich diversity, nobles, priests, soldiers, burghers, peasants, Flemings, Spaniards, Jews, Gypsies, Turks, the healthy, and the infirm converge to listen to the prophetic words of John. Vinckboons's nuanced brush captures the essence of unity, emphasizing the shared experience of those who gather to listen to the messenger. The artist transcends differences, emphasizing the universality of the message and the inclusivity of Christ's impending message to mankind.
As the eye wanders beyond the forest congregation, a cityscape emerges on the distant horizon. Bridged fortified structures stand as silent witnesses to the unfolding scene, while a mountainous landscape completes the panoramic vista. Vinckboons, with his skillful rendering, adds layers of context to the narrative, suggesting that the echoes of John's preaching reverberate not only in the tranquil woods but also resonate within the fortified structures of urban life.
David Vinckboons was a Dutch Golden Age painter born in Mechelen, Southern Netherlands. Vinckboons, whose name is often spelled as Vingboons, Vinghboons, Vinckebonis or Vinckboom, had at least ten children. His sons were the cartographer and watercolourist Johannes and the architects Justus and Philip.

Delevery information :

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Jan Muller

CATALOGUE

17th Century Oil Painting