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Male torso in marble Roman Period 1st-2nd AD
Male torso in marble Roman Period 1st-2nd AD - Ancient Art Style Male torso in marble Roman Period 1st-2nd AD - Male torso in marble Roman Period 1st-2nd AD - Antiquités - Male torso in marble Roman Period 1st-2nd AD
Ref : 120870
15 000 €
Period :
BC to 10th century
Provenance :
Roman Empire
Medium :
Marble
Dimensions :
l. 4.72 inch X H. 12.6 inch X P. 3.54 inch
Ancient Art  - Male torso in marble Roman Period 1st-2nd AD BC to 10th century - Male torso in marble Roman Period 1st-2nd AD  - Male torso in marble Roman Period 1st-2nd AD Antiquités - Male torso in marble Roman Period 1st-2nd AD
Galerie Alexandre Piatti

Works of art, sculptures and furniture Haute Epoque


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Male torso in marble Roman Period 1st-2nd AD

This magnificent marble torso, of modest dimensions, dates from the Roman period, between the 1st and II? centuries A.D. It depicts a naked, headless young man, amputated of his arms and legs at mid-thigh.

Despite its fragmentary state, the sculpture retains a strong presence, thanks to the quality of its execution and mastery of anatomical rendering. The clean break at his right hip suggests that the figure was originally leaning on a trunk or stump, evoking a representation of Narcissus or an ephebe, the symbolic figure of ideal male youth in Greco-Roman culture.

The torso may evoke Narcissus, whose perfect body embodies eternal youth, or an ephebe, a young adolescent man in the making, the image of a nascent, idealized virility. This torso reflects these ideals, emphasizing the proportions and naturalistic representation of the human form characteristic of Roman sculptural art derived from classical Greek traditions.

The Roman period drew inspiration from Antiquity through the reproduction of numerous sculptures, including ephebes, as Roman patrons admired and imitated Greek art. This type of sculpture was probably intended to adorn villas or public spaces, fulfilling both decorative and symbolic functions.

The treatment of the marble and the subtlety of the muscular lines offer a harmonious, balanced vision of the male body. The contrapposto, characteristic of ancient statuary, discreetly animates the figure: the inclination of the body and the slightly bent right leg seem to lighten the posture, reinforcing the impression of naturalness and suppleness. This play gives the sculpture a silent yet imposing presence, as if frozen in marble. Thus, through the mastery of marble, the balance of lines and the restrained sensuality of movement, he expresses a timeless vision of youth and masculine beauty, which has become the ideal of Greco-Roman art.

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Galerie Alexandre Piatti

CATALOGUE

Ancient Art