Dance of the Maenads

Giulio Romano (1499-1546) (follower of)

‘Dance of the Maenads’

Northern Italy, 17th century
Pen and Brown Ink on Paper

Height: 32 cm
Width: 46 cm

H 12 2/3 x W 18 inch







This drawing in pen and brown ink, depicts a frieze-like procession of dancing figures—men, women, and putti—caught in fluid motion. The rhythmic composition and expressive gestures of the participants convey a sense of joyful celebration, closely echoing the antique-inspired style of the Italian High Renaissance.

The sheet is a clear homage to the "Dance of the Maenads", a fresco originally conceived by Giulio Romano (Giulio Pippi, 1499–1546) in collaboration with his workshop, possibly including Francesco Primaticcio. The fresco forms part of the decorative scheme in the Camera delle Metamorfosi, Palazzo del Te, Mantua, painted circa 1526–1535. Romano, a principal pupil of Raphael, developed a distinctive idiom that combined classical motifs with a dramatic, often theatrical flair—qualities evident in this drawing.

The drawing displays a strong understanding of his visual language and compositional structure. The figures are sensitively modelled, with drapery that flutters in harmonious rhythm, suggestive of a practised hand working within the artist’s immediate circle or under his influence. Such works were often produced in Romano’s workshop or by later followers seeking to replicate or reinterpret his compositions.

This drawing not only serves as a valuable testament to Romano’s enduring influence but also stands on its own as a fine example of sixteenth-century draughtsmanship, capturing the vitality and spirit of the original fresco cycle.