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Portrait Of Charles I King Of England, Flemish school of the 17th century
Portrait Of Charles I King Of England, Flemish school of the 17th century - Paintings & Drawings Style Louis XIV Portrait Of Charles I King Of England, Flemish school of the 17th century - Portrait Of Charles I King Of England, Flemish school of the 17th century - Louis XIV Antiquités - Portrait Of Charles I King Of England, Flemish school of the 17th century
Ref : 111219
9 800 €
Period :
17th century
Provenance :
Italy
Medium :
Oil on canvas
Dimensions :
l. 48.82 inch X H. 51.57 inch
Paintings & Drawings  - Portrait Of Charles I King Of England, Flemish school of the 17th century 17th century - Portrait Of Charles I King Of England, Flemish school of the 17th century Louis XIV - Portrait Of Charles I King Of England, Flemish school of the 17th century Antiquités - Portrait Of Charles I King Of England, Flemish school of the 17th century
Antichità Castelbarco

Old master paintings


+393332679466
Portrait Of Charles I King Of England, Flemish school of the 17th century

Portrait of Charles I, King of England (1600-49)
Anthoon van Dyck (Antwerp 1599 - London 1641) Follower of

Oil on canvas
93 x 86 cm - Framed 131 x 124

We are sharing a valuable work, an oil on canvas painting of the famous 'Portrait of Charles I of England on Horseback' by Anthoon van Dyck (Antwerp 1599 - London 1641) painted in 1633; it is a masterpiece of Baroque art that stands out for its majestic composition still belonging to the British Royal Art Collection and housed in Windsor Castle (image 1).

In 1632 Van Dyck arrived in London, where he was elected court painter to King Charles I Stuart, King of England, his main patron and at the same time a great collector sensitive to contemporary art.

In addition to the sovereign's boundless love for art, Charles also saw it as a powerful means of political propaganda, especially in the difficult years just before the civil war.

Van Dyck portrayed the sovereign on numerous occasions, both surrounded by his family, with his wife Enrichetta, and alone. The most ambitious are undoubtedly the paintings of the equestrian series, where the artist offered a proud and majestic image of an absolute monarch: in addition to the painting mentioned above, Van Dyck painted two other important portraits of the king on horseback: 'Charles I on Horseback' (1636, National Gallery, London), 'Le Roi à la Chasse' (c. 1635, Paris, Louvre)

These portraits see Charles I on horseback on an unprecedented scale, as sovereign, warrior and knight, in the long tradition of ancient and Renaissance equestrian monuments. And our canvas echoes its structure, although it makes several personalisations, with the ruler riding through a triumphal arch, wearing parade armour and holding the baton of military command while riding a splendid white horse.

These elements, in addition to the display of the great coat of arms bearing the symbols of the Stuart royal dynasty, reinforce his image as the ruler of Great Britain, while the king's refined features, loose hair and gentle, thoughtful expression convey the impression of a chivalrous knight.

We are of the opinion that the painting presented here, finely executed with its effective composition, is the work of a Flemish artist, active between the 17th and 18th century, to be found among the followers of Anthony van Dyck, who masterfully reworked his masterpiece;

The success of the work favoured its widespread diffusion, so much so that numerous paintings are known to have been executed by artists from Van Dyck's circle/shop or active at a time immediately after the canvas was created, to please some patrons who wished to have the effigy of the monarch for their residences as a clear sign of loyalty to the sovereign dynasty.

imm.1
Antoon van Dyck, Portrait of Charles I with M. de Saint-Antonie his riding master, 1636, oil on canvas, 370 x 270 cm, Windsor Castle

Conservation status: the painting is in a good state of preservation with some restoration present near the background landscape

Delevery information :

We take care of and organise the transport of the purchased works, both for Italy and abroad, through professional and insured carriers.

We take great care We personally take care of the packaging, to which we devote a great deal of care: each work is carefully packed, first with arti- cle material, then with a custom-made wooden box.

Should you have the desire to see this or other works in person, we would be happy to welcome you to our gallery in Riva del Garda, Viale Giuseppe Canella 18, we are always open by appointment only.

Antichità Castelbarco

CATALOGUE

17th Century Oil Painting Louis XIV