Offered by Franck Baptiste Paris
George Monk, Peter Lely's studio, London circa 1665
Portrait of George Monk (1608-1670), 1st Duke of Albemarle and naval general.
The statesman is depicted half-length, wearing a rich ochre-yellow leather doublet embroidered with gold and fastened with a scarlet sash. The white lace of his collar and cuffs contrasts with the brilliance of his military uniform. His right hand rests on the baton of command, the attribute of the victorious general, while his left arm rests confidently on a large naval inkwell, symbolizing his title of admiral.
The background, marked by a stormy sky opening onto a golden light, accentuates the theatricality of the pose. The hieratic posture, firm gaze, and monumental body impose the authority and confidence of a war leader whose destiny was linked to the restoration of the monarchy in England.
Oil on its original canvas, very well preserved.
Studio of Sir Peter Lely (1618–1680), London, circa 1665.
Later giltwood frame.
Dimensions:
Frame: Height: 141 cm; Width: 118 cm
Canvas: Height: 126 cm; Width: 101 cm
Our portrait follows a widely circulated sketch by Peter Lely, official painter to the Stuart court.
Several similar portraits of George Monck by Peter Lely and his studio are known, including two preserved at the Rijksmuseum in Amsterdam and the National Portrait Gallery in London.
Our very fine example may have been painted with the master's input, particularly for the sitter's face.
George Monk (1608–1670)
An English soldier and politician, Monk played a decisive role in the Civil War. After serving Cromwell, he rallied to the monarchy and facilitated the Restoration of Charles II, who made him Duke of Albemarle in recognition of his services.
Sir Peter Lely (1618–1680)
A Dutch-born painter who settled in London in the 1640s, Peter Lely became the official court portraitist under Charles II. A descendant of Van Dyck, he left a lasting mark on English portraiture with his elegant and theatrical style, supported by an extremely productive studio.