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Marcellin Desboutin, a former student of Couture, devoted much of his work to Italy. He is also recognized as a writer and poet. He made his debut at the Paris Salon in 1878, devoting himself initially to engraving. He was one of the promoters of drypoint engraving, and earned a well-deserved reputation in the field with portraits of his most famous contemporaries. He was awarded a third-class medal in 1879 and a silver medal in 1889. He also produced many portraits as a painter, earning an honorable mention in 1889. He was awarded the Légion d'honneur in 1895.
In the shade of a hanging vine, a darkly handsome young man offers a ring and a letter to a beautiful young blonde woman. Upset, she seems to reject his advances. This romantic couple is a rare work from the Italian period of Marcellin Desboutin, who lived at Villa Ombrellino, near Florence, a large country house he bought in 1857.
His biographer, Clément-Janin, only began cataloguing paintings from 1860 onwards, and to our knowledge, the only other Desboutin canvas dating from the late 1850s is the beautiful Mother and Child, painted around 1858, which is in the collection of the Palazzo Pitti-Galleria d'arte moderna in Florence.
The form and subject of our painting testify to Desboutin's interest in Italian Renaissance art, and it was precisely at this time, before his financial difficulties, that Desboutin owned an important collection of Old Master paintings at Villa Ombrellino. However, even though he lived in Florence, as a colorist, it was to the Venetians, and especially to Titian and Veronese, that Desboutin turned. Later, Desboutin, a friend of Manet and Degas, took part in the second Impressionist exhibition in 1876, and this painting represents an interesting bridge between French Romanticism and Impressionism.
The subject of the painting is interesting, but hard to pin down. Clearly unhappy, the young woman turns her head away from the young man, and her gestures suggest that she doesn't want to receive the ring and letter. At the same time as the young man seems stoic, he's also sympathetic. There's tenderness between them, they're close to each other and he has his hand around her waist. There's no doubt that the young couple are in love, but did the letter and ring come from the young man himself, or perhaps from someone else he's standing in for?
Unfortunately, it has not been possible to identify the subject of the painting with any certainty, even though it is clearly a literary subject - and it should not be forgotten that Desboutin was also a playwright and poet. One might suggest that they represent the lovers Paolo and Francesca.
In the course of his career, Desboutin would sometimes use a monogram, as here, of an M joined to a D, and below a dividing line, the date.
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