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Henri Joseph Harpignies (1819 -1916) - Fagoteuse at the edge of the brook
Henri Joseph Harpignies (1819 -1916) - Fagoteuse at the edge of the brook - Paintings & Drawings Style Henri Joseph Harpignies (1819 -1916) - Fagoteuse at the edge of the brook -
Ref : 99196
10 500 €
Period :
19th century
Artist :
Henri Joseph Harpignies (1819 -1916)
Provenance :
France
Medium :
Oil on canvas
Dimensions :
l. 18.11 inch X H. 21.65 inch
Paintings & Drawings  - Henri Joseph Harpignies (1819 -1916) - Fagoteuse at the edge of the brook 19th century - Henri Joseph Harpignies (1819 -1916) - Fagoteuse at the edge of the brook
Galerie Wanecq

French 18th Century Furniture and works of art


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Henri Joseph Harpignies (1819 -1916) - Fagoteuse at the edge of the brook

Henri Joseph Harpignies
(Valencienne 1819 - Saint-Prive 1916)

Fagoteuse at the edge of the brook
Signed lower right

Oil on canvas (original canvas)

Painter, landscape artist, watercolorist, engraver, he began his career at the age of 27 by entering the studio of the painter Jean Achard, which he left for Flanders and Germany during the Revolution of 1848.

In November 1849 he left for Italy to discover Naples, Sorrento, Capri and especially Rome where he was a resident at the Villa Medici.

In the 1850s, back in France, he met Corot who introduced him to the painters of the Barbizon School. Following his elders, Corot, Daubigny, Rousseau, the painter entered into communion with the landscape, his paintings became the reflection of this dialogue, he however quickly detached himself from their way of working

Recognized by the critics, appreciated by many collectors, he became the :
"Symbol of the revival of landscape in France,

This is what the Goncourts called "the victory of the landscape", a new school of landscape painting where one finds landscape painters who settled in Barbizon or Marlotte. We could also call this school "naturalist" if we consider that their goal is to render the landscape in its truth.

While at the end of his life, honors and medals rained down upon him, Harpignies retained the same generosity. In all that he realized, from the decorations of the Opera to the most modest studies, he felt the same manifest pleasure, combining vigor and meticulousness to constantly renew with as much sobriety as elegance a feeling of nature where mysticism and sensuality are confused.

Designated by Anatole France as the "Michelangelo of the Trees"
He is still recognized today as
One of the Masters of landscape painting of the 19th century.

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CATALOGUE

19th Century Oil Painting