EUR

FR   EN   中文

CONNECTION
Madonna and Child, polychrome stucco relief, Luca della Robbia's workshop. Second half of the 15th century.
Madonna and Child, polychrome stucco relief, Luca della Robbia's workshop. Second half of the 15th century. - Sculpture Style Renaissance Madonna and Child, polychrome stucco relief, Luca della Robbia's workshop. Second half of the 15th century. - Madonna and Child, polychrome stucco relief, Luca della Robbia's workshop. Second half of the 15th century. - Renaissance Antiquités - Madonna and Child, polychrome stucco relief, Luca della Robbia's workshop. Second half of the 15th century.
Ref : 92343
12 000 €
Period :
11th to 15th century
Provenance :
Italy
Medium :
Stucco
Dimensions :
l. 10.04 inch X H. 15.35 inch X P. 3.54 inch
Sculpture  - Madonna and Child, polychrome stucco relief, Luca della Robbia's workshop. Second half of the 15th century. 11th to 15th century - Madonna and Child, polychrome stucco relief, Luca della Robbia's workshop. Second half of the 15th century. Renaissance - Madonna and Child, polychrome stucco relief, Luca della Robbia's workshop. Second half of the 15th century. Antiquités - Madonna and Child, polychrome stucco relief, Luca della Robbia's workshop. Second half of the 15th century.
Antichità San Felice

Paintings and Sculptures from the 16th to the 19th century


+39 3804 379 898
Madonna and Child, polychrome stucco relief, Luca della Robbia's workshop. Second half of the 15th century.

Modeled half-length, the Child holding his mother's veil in one hand, the other on his back, the Madonna grabbing his foot.
This intimate composition was one of the most appreciated by Luca della Robbia; Allan Marquand has listed nine versions, including the example in the Corsini Collection in Florence. Versions are also found in the carved jamb of the hospital of Santa Maria Nuova in Florence and in the vault of a cloister of Santa Maria di Castello in Genoa. The production of Luca's early years was terracotta pigmented with natural colors, it was only after 1440 that he began to devote himself to glazed terracotta.
The iconography of the Madonna holding the foot of Christ and of Christ grasping the mother's veil, popular in Italian Renaissance table painting and sculpture, derives from Byzantine icons.
This kind of reliefs enjoyed an extraordinary fortune in fifteenth-century Italy: molded from marble sculptures or, more often, in terracotta by means of a plaster imprint taken from the original, they were then finished by the sculptor and finally painted and gilded. The role of the painter was fundamental: by highlighting the clothes or hair with gold, lighting up the eyes, giving life to the complexions, the brush helped to accentuate the sweet and affectionate character that invariably distinguishes these compositions. The result is a tone of close naturalism, of family intimacy which must have constituted the most irresistible attraction of this brand new generation of sacred images, which soon came to undermine the role played by triptychs and altarpieces with a Marian subject in domestic devotion. Studies around this branch of Renaissance sculpture have highlighted Tuscany as the epicenter of this very particular production.
Our stucco relief features a clearly legible and embossed pattern, which testifies to the fact that it is one of the first replicas of the original. The polychromy has been well preserved: the incarnates have been maintained as have the colors of the clothes and, in particular, the beautiful gold decoration of the Child's dress, whose wealth indicates a prestigious commission.
The relief has undergone a conservative restoration including cleaning and consolidation of the original colors at the Nike laboratory in Florence, specialized in sculptural restoration at the service of the Florentine museum center.

It is accompanied by the restoration report.

Measures
Height cm 39
Width cm 25,5
Maximum thickness cm 9/10

Delevery information :

Antichità San Felice will coordinate the packaging and shipment of your item to your selected delivery site. Antichità San Felice has selected reputable, high-quality transportation providers in order to ensure delivery of your item in the best conditions.

We use :

Mbe for packaging and transport small and medium articles ;
Edet International or Transport Mari or Headleys Humpers or Trasporti Ansaldi for packaging and transport voluminous items
All of our shipments are covered by insurance.

Antichità San Felice

CATALOGUE

Sculpture