A simple scene of a young woman reading a book in a sofa. She is laid-back. The light caresses her dress.
A small panel demonstrating the full mastership of Francois Bonvin.
In restraint, the true master is revealed.
François Bonvin (1817 – 1887) was born in humble circumstances in Paris, the son of a police officer and a seamstress. When he was four years old, his mother died of tuberculosis. Soon his father married another seamstress and brought the child back into the household. Nine additional children were born. The family's resources were severely strained, and to make matters worse, his stepmother took to abusing and under nourishing François.
The young Bonvin started drawing at an early age. His potential was recognized by a friend of the family, who paid for him to attend drawing classes at age eleven. Bonvin attended the Ecole de Dessin in Paris from 1828 until 1830, when his father apprenticed him to a printer. Bonvin later studied at the Académie Suisse, but was mostly self-taught as an artist. He considered François Granet, to whom he showed some of his drawings in 1843, his only mentor. Bonvin spent his free time at the Louvre, where he especially appreciated the Dutch old masters.
Bonvin married a laundress at the age of twenty, at about the same time that he secured a job at the headquarters of the Paris police, where he worked until 1850. It was during this period that he contracted an illness which would trouble him for the rest of his life.
Bonvin exhibited three paintings in the Salon of 1849, where he was awarded a third-class medal. He exhibited in the Salon of 1850 with Courbet, and won recognition as a leading realist, painting truthfully the lives of the poor which he knew at first hand. His paintings were well-received by critics and by the public. Although his work had elements in common with Courbets, his modestly scaled paintings were not seen as revolutionary. He was awarded the Légion d'honneur in 1870.
His subjects were still life and the everyday activities of common people, painted in a style that is reminiscent of Pieter de Hooch and Jean-Baptiste-Siméon Chardin. It is the latter who is especially recalled by Bonvin's delicate luminosity.
In 1881, he underwent an operation which did not restore him to health, and he became blind. A retrospective exhibition of his work was held in 1886. He died at Saint-Germain-en-Laye in 1887.
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