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Rare Clock in White Carrara Marble and Gilt Bronze "Cupid Waking Venus"
Rare Clock in White Carrara Marble and Gilt Bronze "Cupid Waking Venus" - Horology Style Louis XVI Rare Clock in White Carrara Marble and Gilt Bronze "Cupid Waking Venus" - Rare Clock in White Carrara Marble and Gilt Bronze "Cupid Waking Venus" - Louis XVI Antiquités - Rare Clock in White Carrara Marble and Gilt Bronze "Cupid Waking Venus"
Ref : 88611
25 000 €
Period :
18th century
Artist :
Robin
Medium :
Gilt bronze, marble
Dimensions :
l. 13.98 inch X H. 14.76 inch X P. 7.09 inch
Horology  - Rare Clock in White Carrara Marble and Gilt Bronze "Cupid Waking Venus" 18th century - Rare Clock in White Carrara Marble and Gilt Bronze "Cupid Waking Venus" Louis XVI - Rare Clock in White Carrara Marble and Gilt Bronze "Cupid Waking Venus"
La Pendulerie

Exceptional clocks and decorative art objects 17th-19th century


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Rare Clock in White Carrara Marble and Gilt Bronze "Cupid Waking Venus"

Robert Robin (1741-1799)
A Rare Clock made of White Carrara Marble and Gilt Bronze with Matte and Burnished Finishing
"Cupid Waking Venus"
Paris, Louis XVI period, circa 1785
Height 37.5 cm; width 35.5 cm; depth 18 cm


The round white enamel dial, signed “Robin/Hger du Roi”, indicates the Roman numeral hours and Arabic numeral fifteen-minute intervals by means of two pierced gilt bronze hands. The hour and half-hour striking movement is housed in a case made of white Carrara marble and finely chased gilt bronze with matte and burnished finishing. The upper portion of the clock, which is adorned with grape vines, features the figure of Cupid resting on clouds. His quiver slung around his neck as he brandishes his bow. He is about to waken the sleeping Venus. The case housing the movement is adorned with a reserve decorated with ribbon-tied branches; it is decorated with beadwork friezes. The rectangular shaped base has rounded corners and is embellished with a frieze of alternating leaves and seeds, as well as reserves featuring stems of lilies among ribbons, rectangles with grape vines and a slightly raised panel depicting putti, in the manner of the sculptor Clodion. The clock is raised upon six feet that are adorned with cord friezes.

The elegant and perfectly balanced design of the present clock is further enhanced by the exceptional quality of its chasing and gilding. Today we know of only a few identical models, which present several variations, particularly in the treatment of the base. Among them, one example, on display in the Munich Residenz, is illustrated in H. Ottomeyer and P. Pröschel, Vergoldete Bronzen, Die Bronzearbeiten des Spätbarock und Klassizismus, Band I, Munich, 1986, p. 248, fig. 4.6.13 (see P. Heuer and K. Maurice, European Pendulum Clocks, Decorative Instruments of Measuring Time, Munich, 1988, p. 51, fig. 77). A second clock, which was delivered in 1804 to be placed in the Empress’s boudoir in the Palais de Fontainebleau, is illustrated in J-P. Samoyault, Musée national du Château de Fontainebleau, Catalogue des collections de mobilier, 1. Pendules et bronzes d’ameublement entrés sous le Premier Empire, RMN, Paris, 1989, p. 50, catalogue n° 5 (see also E. Dumonthier, Les bronzes du Mobilier national, Pendules et cartels, Paris, 1911, plate 20, fig. 6).


Robert Robin (1741-1799)
Is one of the most important Parisian clockmakers of the late 18th century. Having received the titles of Valet de Chambre-Horloger Ordinaire du Roi et de la Reine in 1783 and 1786, he had an extraordinary career, distinguished himself by his exceptional contribution to the progress of time measurement during his lifetime.
In 1778 the French Académie des Sciences approved two of his inventions, one of which led to the construction of an astronomic clock representing a meridian drawn on a pyramid, which was acquired that year by the Menus Plaisirs on behalf of Louis XVI. Robin published a “Description historique et mécanique” of the clock. He constructed astronomic mantel regulators with compensation balance, which the Marquis de Courtanvaux, one of the period’s most important connoisseurs of precision horology, was among the first to acquire. During the Terreur he made decimal watches and clocks. He is recorded successively at the Grande rue du faubourg Saint-Honoré (1772), rue des Fossés-Saint-Germain l'Auxerrois (1775), rue Saint-Honoré à l'Hôtel d'Aligre (1778) and in the Galeries du Louvre in 1786.

La Pendulerie

CATALOGUE

Mantel Clocks Louis XVI