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Rare Gilt Bronze Mantel Clock  “Harlequin”, Restoration period
Rare Gilt Bronze Mantel Clock  “Harlequin”, Restoration period - Horology Style Restauration - Charles X Rare Gilt Bronze Mantel Clock  “Harlequin”, Restoration period -
Ref : 85412
Price on Request
Period :
19th century
Medium :
Gilt bronze
Dimensions :
l. 9.45 inch X H. 14.57 inch X P. 4.33 inch
Horology  - Rare Gilt Bronze Mantel Clock  “Harlequin”, Restoration period
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Exceptional clocks and decorative art objects 17th-19th century


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Rare Gilt Bronze Mantel Clock “Harlequin”, Restoration period

Case Attributed to Pierre-Philippe Thomire
Rare Gilt Bronze Mantel Clock “Harlequin”

Paris, Restoration period, circa 1815-1820
Height 37 cm; width 24 cm; depth 11 cm

The round enamel dial features Roman hours and Arabic quarter hours, indicated by means of two pierced gilt bronze hands. The square case, modelled as an arch-top wall clock is adorned with cornucopias and a bird inspired by certain German clocks. The bezel is chased, with flowering branches in all four corners. The case is held by a Harlequin dressed in a motley vest and trousers made up of a patchwork of triangles. He is wearing a hat and his face is hidden by a patinated bronze mask. He has a thick moustache and bushy eyebrows, and appears to be pointing at the time with his right hand. The shaped quadrangular base features a central scrolling motif and a butterfly in each corner. The clock is raised upon five flattened bun feet.

This clock model, inspired by the characters of the Commedia dell’arte, became extremely popular during the late Empire period and the early years of the Bourbon Restoration. Only a very few similar clocks are known today; they often feature variations, particularly in the shape and decoration of the base. One such model is illustrated in E. Niehüser, Die französische Bronzeuhr, Eine Typologie der figürlichen Darstellungen, Munich, 1997, p. 168, fig. 270; a second clock, formerly in the collection of Charles-Ludovic de Bourbon, is today displayed in the Palazzo Riccardi in Florence. A third, formerly in the collection of Mrs. Charles Munn, was sold by Christie’s, New York, on November 1, 1989, lot 155; a fourth is in the Quirinal Palace in Rome (pictured in A. Gonzales-Palacios, Il Patrimonio artistico del Quirinale, Gli arredi francesi, Milan, 1996, p. 309, n° 90). Another similar clock, in the collection of Baron François Duesberg, is displayed in the Musée Duesberg in Mons (illustrated in Musée François Duesberg, Arts décoratifs 1775-1825, Bruxelles, 2004, p. 48). That clock is signed on the dial by horologist Louis Moinet, and is also signed by the bronzier Thomire; this allows us to attribute the present clock to that exceptional Parisian artisan.


Pierre-Philippe Thomire (1757-1843)
Having become a master founder on May 18, 1772, he was the most important Parisian bronzier of the first quarter of the 18th century and the early years of the following century. Initially he worked for Pierre Gouthière, chaser-founder to the king, and as of the mid-1770s he worked with Louis Prieur. He later became one of the official bronziers of the Royal Sèvres Factory, creating bronze he bought the stock of Martin-Eloi Lignereux and became the main supplier of bronze furnishings for the imperial palaces. He also had a number of wealthy several of Napoleon’s marshals. He retired in the mid-1820s and died in 1843.

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Mantel Clocks Restauration - Charles X