FR   EN   中文

Jules Hardouin-Mansart (1645-1708)
Jules Hardouin-Mansart (1645-1708) - Sculpture Style Jules Hardouin-Mansart (1645-1708) - Jules Hardouin-Mansart (1645-1708) - Antiquités - Jules Hardouin-Mansart (1645-1708)
Ref : 84501
8 800 €
Period :
19th century
Provenance :
Medium :
Dimensions :
l. 11.81 inch X H. 17.52 inch
Sculpture  - Jules Hardouin-Mansart (1645-1708) 19th century - Jules Hardouin-Mansart (1645-1708)  - Jules Hardouin-Mansart (1645-1708) Antiquités - Jules Hardouin-Mansart (1645-1708)
Desmet Galerie

Classical Sculpture

+32 (0)486 02 16 09
Jules Hardouin-Mansart (1645-1708)

White Marble
French, Paris
19th Century
44,5 cm High x 30 cm wide

This bust is a 19th century version of Jean-Louis Lemoyne's bust of Jules Hardouin-Mansart (1646-1708). The architect and superintendent of the king's buildings, patron of the Royal Academy of Painting and Sculpture.

The bust is the reception piece for the Royal Academy of Painting and Sculpture that was presented on 30 June 1703 by Jean-Louis Lemoyne, father of Jean-Baptiste II Lemoyne (the model was approved on 29 December 1699). The Academy rarely required portraits as admission pieces. In 1679, Antoine Coysevox, Lemoyne's master, had presented a bust as an admission piece: a portrait (in the Louvre) of Lebrun who, like Mansart, was a patron of the Academy. The only other bust presented as an admission piece during the 18th century was that of Louis XV (at the Château de Versailles) made by Etienne Gois in 1770.

Mansart was the architect of splendors such as Versailles, the Grand Trianon, the Château de Marly, and Les Invalides. As superintendent of the king's buildings and patron of the Academy, he was at the height of his career when Lemoyne portrayed him in all his magnificence, in a tribute to the man as a great figure rather than an architect. The bust has a lordly bearing: a powerful head, haughty expression, strong nose, and smiling but disdainful mouth. The virtuoso rendering of the tall curly wig and finely chiseled lace jabot is a veritable tour de force that accentuates the majesty of the figure. Mansart is wearing the cross of the Order of St. Michael - a consecration for an artist.

The sculptor clearly sought to rival his master Coysevox, who had made a bust of the same model in 1698 (Bibliothèque Sainte-Geneviève, Paris); but he was particularly inspired by Coysevox's bust of Louis XIV (in the Wallace Collection). Lemoyne's work met with great acclaim; it was cast in bronze the following year (at the model's expense) and exhibited at the Salon of 1704.

Delevery information :

We can arrange shipping.

Desmet Galerie


Marble Sculpture