This important marble bust represents a divinized Julius Caesar. This type of baroque figure is a remarkable example of the willingness of Venetian artists to counter the general tendency of the late Renaissance to exacerbate perfection. In this bust, it is the expression that prevails. Caesar is certainly represented with a face with powerful features surmounted by a laurel wreath, symbol of his triumph and greatness. Yet the characteristics that dominate the imperator's already mature representation are his wisdom and immortal glory. The artist makes it a point of honour to study the physiognomy of his glorious model. Just as much as a high-quality artistic piece, it is possible to recognize in this work a psychological study tending to transcribe Caesar's personality.
A great power emerges from this divinized portrait, the movement is dynamic and energetic. The sculptor's work is refined and highly detailed, particularly for the representation of the cuirass, remarkably well worked, and the draped toga with deep folds as well as for all the features of his face. Indeed, her cheeks are hollowed out, highlighting prominent cheekbones and her forehead is carefully wrinkled. In addition, her neck has veins, which increase the feeling of deep tension also expressed by her massive jaw.
It is a high quality piece that can be compared to the works of Orazio Marinali. A major Venetian Baroque artist of the late 16th and early 17th centuries, he was trained by the Flemish, active in Venice since 1657, Giusto Le Court (also known as Josse le Court).
Delevery information :
Please note that packing and shipping costs are not included in the price of the objects which are quoted ex shop.
Final amount including packing and shipment to be discussed with Galerie Alexandre Piatti.
Price : on request
Price : on request