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Jan-Philips van Thielen (Mechelen 1618 - 1667 Booischot)
Jan-Philips van Thielen (Mechelen 1618 - 1667 Booischot) - Paintings & Drawings Style Jan-Philips van Thielen (Mechelen 1618 - 1667 Booischot) -
Ref : 63083
29 000 €
Period :
17th century
Provenance :
Private collection, Paris
Medium :
Oil on panel
Dimensions :
l. 16.93 inch X H. 12.6 inch
Paintings & Drawings  - Jan-Philips van Thielen (Mechelen 1618 - 1667 Booischot) 17th century - Jan-Philips van Thielen (Mechelen 1618 - 1667 Booischot)
Galerie Lowet de Wotrenge

Old master paintings, drawings and sculptures. Works of art.


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Jan-Philips van Thielen (Mechelen 1618 - 1667 Booischot)

A flower garland

Jan Philips van Thielen was born in Mechelen in 1618. As the son of a minor nobleman, he eventually became Lord of Cauwenberg. In 1631, aged 13, he went to Antwerp to study with the history painter Theodoor Rombouts (Antwerp 1597 – 1637). In 1641 he became Daniel Seghers’ only pupil. Seghers (Antwerp 1590 – 1661), who was a member of the jesuit order, was one of the most important flower painters in seventeenth century Antwerp; he was very influenced by Jan Brueghel the Elder and collaborated with many prominent peers.

In 1642 van Thielen became a member of the Antwerp guild of St Luke; he would remain active in Antwerp until 1659, when he went back to Mechelen. Van Thielen married in 1640, to Françoise van Hemelaer. The couple had nine children; three of his daughters – Anna, Francisca-Catherina and Maria Theresia – studied with him and went on to become flower painters themselves. He became a member of the Mechelen guild of St Luke in 1660 and remained there until his death in 1667.

Van Thielen painted mostly flower garlands and still lifes, often collaborating with other painters, such as Erasmus II Quellinus (who was his brother-in-law) and Cornelis Schut. He enjoyed an excellent reputation, evidenced by the fact that he could count the Spanish court amongst his patrons. Stylistically, he was influenced by his master, Daniel Seghers, although later on he would develop a more idiosyncratic stylistic idiom. The Royal Museum of Fine Art (Brussels) owns a flower garland that is very similar to the present work, which however is attributed to van Thielen’s master, Daniel Seghers.

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Galerie Lowet de Wotrenge

CATALOGUE

17th Century Oil Painting