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Frans I Pourbus (Bruges 1545 - 1581 Antwerp)
Frans I Pourbus (Bruges 1545 - 1581 Antwerp) - Paintings & Drawings Style Frans I Pourbus (Bruges 1545 - 1581 Antwerp) -
Ref : 63054
Price on Request
Period :
16th century
Artist :
Provenance :
Austrian private collection.
Medium :
Oil on panel
Dimensions :
l. 13.39 inch X H. 18.5 inch
Paintings & Drawings  - Frans I Pourbus (Bruges 1545 - 1581 Antwerp) 16th century - Frans I Pourbus (Bruges 1545 - 1581 Antwerp)
Galerie Lowet de Wotrenge

Old master paintings, drawings and sculptures. Works of art.

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Frans I Pourbus (Bruges 1545 - 1581 Antwerp)

Portrait of an unknown man

This newly discovered portrait is a handsome addition to the small group of paintings that we know of by Frans Pourbus the Elder, son of the Bruges painter Pieter Pourbus (c.1523 – 1584), and father to the great international court painter Frans Pourbus the Younger (1569 – 1622). Born in Bruges in 1545, Frans I was inevitably trained in his father’s studio, however, his main master was the Antwerp-based painter Frans Floris (1516 – 1570), whose niece Susanna he went on to marry in 1566. By 1569/70 he was appointed a master of the Antwerp Guild of Saint Luke. Like his father, he painted both religious subjects and portraits of the rising mercantile class. He died of typhoid fever in Antwerp in 1581 at the untimely age of thirty-six. His pupils included most notably Gortzius Geldorp and his son Frans Pourbus the Younger.

Frans Pourbus the Elder’s portraits demonstrate remarkable powers of observation. The features of the man in our portrait, with his subtly modelled flesh, angular face, high cheekbones, long nose and heavy lidded eyes have been notably individualized. He gazes directly and somewhat seriously at the viewer, his brow furrowed and contemplative. His neatly fashioned beard and moustache are rendered with remarkable precision, offset by his closely concertinaed ruff. His doublet is of a muted black silk. The portrait as a whole is an astute psychological study of a man in his prime, presumably in his late thirties.

We are grateful to Koenraad Jonckheere for his assistance with the attribution, and for pointing out its stylistic and technical similarity to a portrait by the artist dated 1580 (formerly with Bob Haboldt Ltd, now in a private collection), notably ‘the way the beard is depicted and the subtle shading around the eyes (among other things) are very similar’.

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Galerie Lowet de Wotrenge


16th century Oil Painting