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Musin François (1820-1888)  - Ships leaving the harbour
Musin François (1820-1888)  - Ships leaving the harbour - Paintings & Drawings Style French Regence Musin François (1820-1888)  - Ships leaving the harbour - Musin François (1820-1888)  - Ships leaving the harbour - French Regence
Ref : 54270
Price on Request
Period :
19th century
Artist :
Musin François ( 1820 / 1888 )
Provenance :
French private collection
Medium :
Oil on canvas
Dimensions :
l. 46.46 inch X H. 28.74 inch
Paintings & Drawings  - Musin François (1820-1888)  - Ships leaving the harbour 19th century - Musin François (1820-1888)  - Ships leaving the harbour French Regence - Musin François (1820-1888)  - Ships leaving the harbour
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Musin François (1820-1888) - Ships leaving the harbour

MUSIN François ( 1820 / 1888 )
Ships leaving the harbour.
Oil on canvas signed lower right.
28,8 / 46,5 in
Original frame.
François MUSIN
François-Etienne Musin (4 October 1820, Ostend - 24 October 1888, Sint-Joost-ten-Node) was a Belgian painter who specialized in seascapes.
His father was an innkeeper, shipbuilder and oyster farmer who had spent some time in a penal regiment for desertion during the Napoleonic Wars. As a child, he paid more attention to the sea than his studies. His artistic talent was discovered when he was locked in the attic as punishment and used a piece of charcoal to draw a view of the Ostend docks on the wall.
In 1831, he received his first lessons from Michel Van Cuyck and François-Antoine Bossuet, who would later become famous for his vedute, but was still working for the Port of Ostend at that time. He later attended the local Beaux Arts Academy and graduated after winning a gold medal in 1835. By this time he had already gained some dangerous experience with ships and sailing while tending to his father's oyster beds.
He continued his studies at the Académie Royale des Beaux-Arts in Brussels, where he studied under François-Joseph Navez. While there, he made drawings of surgical procedures in the operating room of Doctor Louis-Joseph Seutin, with the intention of publishing them in a textbook. In 1839, he was drafted in the Army, but his father paid for a replacement (a common practice at the time). In 1840, he began to exhibit and moved to Brussels permanently in 1842, completing his studies the following year. His career was substantially advanced when King Leopold I bought two of his paintings in 1845.
Because of the interest for his art that existed in England, he spent some time there, also travelling to Spain and Portugal. He returned home in 1848 when his father fell ill. In 1849, he married the painter Marie-Célestine Gosselin (1826-1853). After his wife's early death, he gave his share of the family business to his brother Auguste, in return for studio and exhibition space in the family's restaurant. He had also acquired some public land where he built the "Pavilion des Dunes", the first structure on the beach, which he rented out and also occasionally used as a studio. In 1863, Leopold I built his Royal Pavilions nearby, which inspired a real-estate boom and, in 1865, Musin converted the Pavilion into a hotel. It was sold in 1877, demolished in 1879 and replaced by the "Splendid Hotel" which was destroyed in World War II.
During these years, he travelled extensively, visiting Portugal, the Alps, France, North America and Norway, where he may have participated in a whaling expedition. All of these travels produced reams of sketches that were elaborated on in his studio. In 1869, he finally settled in Sint-Joost-ten-Node where he built a huge garden studio, collected maritime antiques and gave his son Auguste his first art lessons. His sister-in-law lived with them as housekeeper until her death in 1877.
Ever since Kaiser Wilhelm I ordered eight seascapes in 1853, royal customers had been a major source of his income. In 1865, two paintings were bought by the royal family of Württemberg and, in 1873, two were acquired by Naser al-Din Shah Qajar. In 1869, the Museo del Prado bought his painting "The Cannon Shot - Signal for the Revolt of Cadíz", and he was awarded the Order of Charles III. Curiously though, the Belgian government did not buy any of his works until 1880.
In 1885, a whale carcass washed ashore at Ostend and became quite a sensation. Musin painted a pochade of the scene, which was also captured by Willy Finch and James Ensor.
He died of a stroke. His friends and family recalled him as a hedonist who was always in a good mood and ready to recount his many adventures. His paintings were unusually popular with forgers, leading his son to contrive various means of identifying the originals, including certificates of authenticity and wax stamps.
Collections :
Musée communal des beaux-arts d'Ixelles, (Bruxelles)
Kunstmuseum aan zee, Ostende
Musées royaux des beaux-arts de Belgique, Bruxelles
Hôtel de ville, Blankenberge
Musée Smidt Van Gelder (nl), Anvers
Musée du Prado, Madrid
Musée national de la Marine, Greenwich
Musée des beaux-arts, Montréal
Palais de Sanssouci, Potsdam
Musée des beaux-arts de Reims
Château Uppark House.

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Violon d’Ingres


19th Century Oil Painting French Regence