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Walnut armchairs Series by Pierre Nogaret in Lyon circa 1750
Walnut armchairs Series by Pierre Nogaret in Lyon circa 1750 - Seating Style Louis XV Walnut armchairs Series by Pierre Nogaret in Lyon circa 1750 - Walnut armchairs Series by Pierre Nogaret in Lyon circa 1750 - Louis XV Antiquités - Walnut armchairs Series by Pierre Nogaret in Lyon circa 1750
Ref : 44015
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Period :
18th century
Artist :
Nogaret à Lyon
Dimensions :
l. 26.38 inch X H. 38.19 inch X P. 21.26 inch
Seating  - Walnut armchairs Series by Pierre Nogaret in Lyon circa 1750 18th century - Walnut armchairs Series by Pierre Nogaret in Lyon circa 1750 Louis XV - Walnut armchairs Series by Pierre Nogaret in Lyon circa 1750 Antiquités - Walnut armchairs Series by Pierre Nogaret in Lyon circa 1750
Antiquités Franck Baptiste

French Regional and Parisian furniture


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Walnut armchairs Series by Pierre Nogaret in Lyon circa 1750

Walnut armchairs Series by Pierre Nogaret in Lyon circa 1750
Following four large molded chairs and flat files carved in walnut.
The upper part of fiddle shape; the armrests hectic "whiplash", the molded and contoured belts.
Arched feet, the eventful folder flowers decorated finely carved reminder on the seat. Cane-bottom trim.

The four crosses stamped on the back of the seat:
Nogaret in Lyons

Rare conservation status without transplants or stings, backgrounds frames.

Work Lyonnais Époque Louis XV in 1750.

Size:
Height: 97 cm - Width: 67 cm - Depth: 54.5 cm?

NOGARET Pierre (1718-1771), received master carpenter in Lyon in June 1745.
Pierre Nogaret, famous Master province seats, estampillait "Nogaret in Lyons." It is in Lyon that Paris chose to settle. A seat of his hand is recognizable at a single glance: a subtle play of curves and cons-curves, a typical armrest, very flared a boost console, a set of moldings. Balance and nervousness, elegance and movement, are the words that occur most often to define his style. Top quality finally, in construction, in the choice of species and the attention to connecting elements make its products stand the test of time well. The influence of Tilliard and Cresson, one for the line, one for sculpture, proves that Nogaret mastered the expertise of the Paris Masters.

Antiquités Franck Baptiste

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