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The Calvary attributed to Louis de Caullery, early XVIIth century
The Calvary attributed to Louis de Caullery, early XVIIth century - Paintings & Drawings Style Louis XIII The Calvary attributed to Louis de Caullery, early XVIIth century - The Calvary attributed to Louis de Caullery, early XVIIth century - Louis XIII Antiquités - The Calvary attributed to Louis de Caullery, early XVIIth century
Ref : 103254
12 000 €
Period :
17th century
Provenance :
Belgium
Medium :
Oil on panel
Dimensions :
L. 37.8 inch X l. 26.97 inch
Paintings & Drawings  - The Calvary attributed to Louis de Caullery, early XVIIth century 17th century - The Calvary attributed to Louis de Caullery, early XVIIth century Louis XIII - The Calvary attributed to Louis de Caullery, early XVIIth century Antiquités - The Calvary attributed to Louis de Caullery, early XVIIth century
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Paintings, sculptures and art objects from the 15th to the 17th century


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The Calvary attributed to Louis de Caullery, early XVIIth century

This painting represents The Calvary and the two larrons.
This painting is attributed to Louis de Caullery (1580-1621).
When he was forteen, he settled in Flanders to improve his painting and drawing with Joost de Momper.
In 1602, he was received as master et become disciple of Paul Vriedman de Vries (know for his architectural works).
He traveled in Italy, a initiatory journey and essential for all "serious" artist of the time.
Some historians dispute the existence of this trip but in the work of Caullery there are some scene representing Venise, Florence, and Rome.

The reputation of Louis de Caullery rests on the quality of his genre paintings, his hability and his precision in the representation of buildings, in the treatment of the perspective and by the variety of his subjects : Carnival on Ice, Fireworks, gathering in the open air, Allegory of the five senses and painting of meeting in the spirit of Fontainebleau school.

His style is caracterised on the one hand, by the height of his characteres, their plain faces, their elegant postures, and on the other hand a pallet inflenced by italian master which turned out to be an innovation in Flanders : half tones, yellow, ochres, Veronese green and burgundy red.

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CATALOGUE

17th Century Oil Painting Louis XIII